geroyche ([info]geroyche) wrote,
@ 2007-07-31 12:56:00
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Tystnaden

Damn. Both Bergman and Antonioni reported dead within the last 24 hours. Essentially those were the two whose movies sucked me into all this classic cinema geekiness. Not to say they turned me into a cineast. I had been going to the movies, watched independent contemporaries too. But only after I saw some of their black and white movies (notably Tystnaden and La Notte) late at night on TV during a phase in my life when depressing tales about human nature had lots of appeal (I mean, they still do ;), was it that I started to actively seek out more classics. I started to dig deeper.

I owe Antonioni and Bergman a lot. By chance I re-watched Scenes of a Marriage only last week.  Actually I learnt only yesterday that there is a Swedish 300 minutes TV version of Scenes..., I need to get that! Even just sitting through the theatre cut is a painful and yet fascinating experience. Even though it is not his strongest film they way I see it.

And I am glad to still have essential movies from both of them to watch for the first time.  I always felt I should watch Fanny and Alexander sometime around Christmas. That is yet to come, and I already look forward to it. Somewhere I heard yesterday that we should consider Bergman not as a great director, but as one of the greatest artists of the 20th century.

On the bright side, I think both had enough opportunities to say what they want, weren't taken from us at the height of creativity. Their body of works is substantial and here to enjoy - or to endure ;)




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multipara says...
(Anonymous)
2007-07-31 07:47 pm UTC (link)
indeed, "la notte" was one of the key films that inspired my current ongoing love of 50s-70s classic "art" cinema (...and let me take the opportunity to say thanks for your guidance here!). i love antonioni too, and i'm also happy i haven't seen all his classics yet. in any case, "la notte" (next to "the passenger") is still my favourite.
having some time off right now, i just entered another phase of immersing myself into film, and of course this week has started off with a peculiar double-blow. having a new film-loving friend from sweden (and of course remembering that he's your favourite director), i finally started reading about bergman (who i still know very little about) just this weekend. on monday, i learn he's dead - and of course, right away i think of antonioni, even older, and my favourite, next to godard. and just one day later, he's dead too. to top it off, on sunday night, kaz and i just had watched blowup together too... it is as if bergman had called antonioni, isn't it?
anyway, it's a shame how little they're shown on tv - especially considering that i don't even think their kind of cinema requires endurance... it's got a captivating and even oddly exhilarating power that floors me no matter what mood i'm in.

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[info]sievetronix
2007-07-31 07:53 pm UTC (link)
odd i just busted out blow up recently too

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